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Gemessene Interpretation. (Computergestutze Auffuhrungsanalyse im Kreuzverhor der Disziplinen). Sound and Idea - Perspektiven musikalischer Theorie und Praxis, Band 4. Hardcover with CD. Text language: German. 332 pages. Schott Music #ED21214. Published by Schott Music. Which technical procedures exist for the analysis of musical interpretations and what can they supply? What do interpretation researchers expect from computer-aided analyses of recordings? This volume of articles contains 18 papers written by musicians, music historians, music psychologists, communication scientists, sound engineers and computer scientists for the Berlin international symposium 'Interpretationsforschung 2010'. IN GERMAN LANGUAGE except for a few English essays.
  • Gemessene Interpretation. (Computergestutze Auffuhrungsanalyse im Kreuzverhor der Disziplinen). Sound and Idea - Perspektiven musikalischer Theorie und Praxis, Band 4. Hardcover with CD. Text language: German. 332 pages. Schott Music #ED21214. Published by Schott Music. Which technical procedures exist for the analysis of musical interpretations and what can they supply? What do interpretation researchers expect from computer-aided analyses of recordings? This volume of articles contains 18 papers written by musicians, music historians, music psychologists, communication scientists, sound engineers and computer scientists for the Berlin international symposium 'Interpretationsforschung 2010'. IN GERMAN LANGUAGE except for a few English essays.
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Gemessene Interpretation (German)


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Gemessene Interpretation. (Computergestutze Auffuhrungsanalyse im Kreuzverhor der Disziplinen). Sound and Idea - Perspektiven musikalischer Theorie und Praxis, Band 4. Hardcover with CD. Text language: German. 332 pages. Schott Music #ED21214. Published by Schott Music.

Which technical procedures exist for the analysis of musical interpretations and what can they supply? What do interpretation researchers expect from computer-aided analyses of recordings? This volume of articles contains 18 papers written by musicians, music historians, music psychologists, communication scientists, sound engineers and computer scientists for the Berlin international symposium 'Interpretationsforschung 2010'. IN GERMAN LANGUAGE except for a few English essays.

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